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Grotesque Approaches in Ceramic Applications: The Case of Gauguin
Proceedings of International Conference on Research in Education and Science - 2022
Mine Ülkü Öztürk, Mevlüt Ünal
Mack Shelley, Hakan Akcay, Omer Tayfur Ozturk
978-1-952092-34-3
220-226
Along with many post-impressionist artists such as Van Gogh, Cézanne, Gauguin was responsible for changing the artist's role in Western society. The artist's personal suffering, grief and isolation were seen as a necessary process to achieve artistic satisfaction. This evolution of the role of the artist, which has continued until today, still affects societies and maintains its importance. Gauguin explains that today's free artists should be grateful for the courageous initiatives of artists who have faced many criticisms in the past, by saying, "The public owes me nothing because my work is relatively good, but today's painters who enjoy this freedom certainly owe me something (Barnes, 1992, p:8)”. Born in Paris in 1848, Paul Gauguin left his modern life behind in his personal adventure that he started for artistic pursuits and mingled with the natives of the South Pacific. The theme of his works is often the representation of this new lifestyle he experiences. These works, together with the symbolic expressions of the artist, highlight the harmony between nature and humans. At the same time, the primitive lifestyle led to the reshaping of Gauguin's feelings (Aldoğan, 2019, p:31). In this study, the use of the expression “grotesque”, which is an ancient concept in ceramic art, in the form of an art style is tried to be explained by taking the works produced by Paul Gauguin in the last half of the 19th century as an example.
Öztürk, M.Ü., & Ünal, M. (2022). Grotesque Approaches In Ceramic Applications: The Case of Gauguin. In M. Shelley, H. Akcay, & O. T. Ozturk (Eds.), Proceedings of ICRES 2022-- International Conference on Research in Education and Science (pp. 220-226), Antalya, TURKEY. ISTES Organization.
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